{"title":"Catalog","description":null,"products":[{"product_id":"mattia-bonetti-canape-curves-commande-speciale-2003","title":"Canapé 'Curves'","description":"\u003cp\u003eThis is a rare \"curves\" sofa by Paris-based artist and designer, Mattia Bonetti. It was a special order commissioned directly from the artist in 2003 and comes from an important private collection in Switzerland. Artist initials “MB” monogrammed on the backrest.\u003c\/p\u003e\n\u003cp\u003eThis model was illustrated in Architectural Digest (France), October 2008, in “La force de l’art, Long Island” by M. Rus, J. S. Arango and S. Watson.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLacquered wood and fabric, 41” H × 90” W × 40.5” D.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eArtist initials “MB” monogrammed on the backrest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAbout the Maker:\u003cbr\u003e\u003c\/strong\u003eMattia Bonetti (b. 1952) is a Swiss-born designer and artist based in Paris. Trained in textile design in Lugano, he began his career as a textile designer, stylist and photographer before turning to furniture in 1979. He later worked extensively with designer Élisabeth Garouste and has continued independently across furniture, lighting and interiors. His work is held in the collections of the Centre Pompidou and Musée des Arts Décoratifs in Paris, the Cooper Hewitt, Smithsonian Design Museum in New York and the Victoria and Albert Museum in London.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48330618437732,"sku":"PIA21826-Bonettisofa","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/CanapeCurves1.png?v=1789079189"},{"product_id":"show-it-in-the-woods-soft-sweet-days-with-our-friends-riding","title":"Show it in the Woods: Soft Sweet Days With Our Friends Riding","description":"\u003cp\u003e1970\u003cbr\u003eOil on canvas, silver frame\u003cbr\u003e66 h × 60 w in (168 × 152 cm)\u003cbr\u003e\u003cbr\u003eSigned and dated to lower right ‘Donald Roller Wilson June 22, 1970’.\u003cbr\u003eProvenance: Gift from the artist to Ralph T. Coe\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003cbr\u003e\u003c\/strong\u003eDonald Roller Wilson is an American painter born in Houston in 1938. He studied painting and art history before teaching at the University of Arkansas from 1967 to 1974, after which his work gained national attention through exhibitions, press coverage and gallery representation in New York. Wilson is known for his precisely rendered paintings of dogs, cats, monkeys and other anthropomorphic figures, often paired with enigmatic captions, elaborate custom frames and dreamlike narrative fragments. His work is held in major public collections including the Brooklyn Museum, the Museum of Contemporary Art Chicago, the Whitney Museum of American Art and the Hirshhorn Museum and Sculpture Garden.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48331621990500,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/howitintheWoodsSoftSweetDaysWithOurFriendsRiding_1.png?v=1777422578"},{"product_id":"sideboard-from-the-series-nobody-s-perfect-gaetano-pesce","title":"Sideboard from the Series Nobody’s Perfect","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"d4e1419f-92c8-469f-ac8e-9c1396296b6f\" data-testid=\"conversation-turn-5\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:8fab1fbd-2453-4608-87b3-20154e24c35c-2\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"dc592b65-fac8-4231-8861-f74a8b9aa2cf\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"460\"\u003eThis sideboard by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGaetano Pesce\u003c\/span\u003e\u003c\/span\u003e is part of the \u003cem data-start=\"71\" data-end=\"89\"\u003eNobody’s Perfect\u003c\/em\u003e series, developed in 2002. Defined by its irregular form and use of cast resin within a metal structure, the iconic piece reflects Pesce’s long-standing exploration of non-uniformity and variation in design.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"462\" data-end=\"535\"\u003e2002\u003cbr data-start=\"466\" data-end=\"469\"\u003eResin, metal\u003cbr data-start=\"481\" data-end=\"484\" data-is-only-node=\"\"\u003e81.5\" L, 19.7\" W, 53.5\" H\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(207 cm, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e50 cm, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e136 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"537\" data-end=\"1174\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"537\" data-end=\"557\"\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr data-start=\"557\" data-end=\"560\"\u003eBorn in 1939 in La Spezia, Italy, Gaetano Pesce is an architect and designer known for his work across architecture, industrial design, and art. His practice is characterized by the use of experimental materials, particularly resin, and a rejection of uniformity in favor of variation. His \u003cem data-start=\"850\" data-end=\"868\" data-is-only-node=\"\"\u003eNobody’s Perfect\u003c\/em\u003e series, introduced in 2002, exemplifies this approach, with each piece produced through processes that result in unique forms. Pesce’s work is held in the collections of major institutions, including the Museum of Modern Art in New York, the Metropolitan Museum of Art, and the Victoria and Albert Museum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48341525037156,"sku":"CAM012726-pescesideboard","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/3.png?v=1777493329"},{"product_id":"chest-of-drawers-bastoni-model-ettore-sottsass","title":"Chest of drawers - \"Bastoni\" Model","description":"\u003cp data-end=\"445\" data-start=\"0\"\u003eThis chest of drawers by Ettore Sottsass, model Bastoni, was originally designed in 1963 and later produced by Poltronova. The piece is defined by its rhythmic composition of horizontal elements, with painted wood surfaces contrasted by walnut veneer. Its structured, linear form reflects Sottsass’s early exploration of geometry and material, preceding his later work that would come to define postmodern Italian design.\u003c\/p\u003e\n\u003cp data-end=\"535\" data-start=\"447\"\u003eDesigned in 1963\u003cbr data-end=\"454\" data-start=\"451\"\u003ePainted wood, walnut veneer\u003cbr data-is-only-node=\"\" data-end=\"484\" data-start=\"481\"\u003e44.9\" L, 23.6\" W, 39.8\" H\u003cbr\u003e(114cm, 60cm, 101cm)\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1356\" data-start=\"537\"\u003e\u003cstrong data-end=\"557\" data-start=\"537\"\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr data-end=\"560\" data-start=\"557\"\u003eBorn in 1917 in Innsbruck, Austria, Ettore Sottsass was one of the most influential designers of the 20th century. After establishing his architectural practice in Milan, he became a key figure at Olivetti in the 1950s and 1960s, where he helped shape some of the company’s most celebrated designs, including the Elea 9003 computer and the Valentine typewriter. In 1981, he founded the Memphis Group, an international collective that redefined design through its radical use of color, form, and material, fundamentally challenging the principles of modernism. Sottsass received the Compasso d’Oro and numerous international honors, and his work is held in major museum collections worldwide, including the Museum of Modern Art in New York, the Metropolitan Museum of Art, and the Centre Pompidou.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48346689536100,"sku":"PIA21826-Sottsasschest","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/Chestofdrawers-Bastonimodel-EttoreSottsass.png?v=1777552351"},{"product_id":"salvaged-italian-figural-fountain-finial-with-sphere","title":"Salvaged Italian Figural Fountain Finial with Sphere","description":"\u003cp\u003eGraceful and theatrical, this salvaged Italian sculpture captures a moment of suspended movement. Originally part of a larger architectural composition, likely a fountain or garden structure, the piece reflects Italy’s long tradition of integrating sculpture into the built environment.\u003c\/p\u003e\n\u003cp\u003eEarly 20th century\u003cbr\u003eCast stone, painted finish\u003cbr\u003eDimensions: Available upon request\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr\u003eWhile the maker of this piece remains unknown, it reflects the enduring legacy of Italian architectural ornament, where sculpture has long been used to animate fountains, gardens, and façades. From the Baroque period onward, Italian artisans developed a highly expressive approach to figural decoration—imbuing even utilitarian elements with movement, narrative, and elegance. In the 20th century, this tradition continued through regional workshops producing decorative garden and fountain elements in cast stone and composite materials, often finished by hand to evoke the patina of earlier works. Pieces like this were designed not only as ornament, but as integral components of immersive, theatrical environments.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48346931822692,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/SalvagedItalianFiguralFountainFinialwithSphere.png?v=1777558195"},{"product_id":"chandelier-from-the-petroleum-club-of-houston","title":"Chandelier from the Petroleum Club of Houston","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003csection dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003csection dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp\u003eDesigned for the Petroleum Club of Houston in the early 1960s, this chandelier formed part of the club’s interiors by architect George Pierce and interior designer William Parker McFadden. The design draws upon the geography and history of the oil fields: its hand-hammered aluminum frame recalls early oil-burning lamps, while the warm, opalescent coloring of its glass shades evokes petroleum. McFadden commissioned Venini to produce the tapered, wheel-carved glass elements, pairing Italian glassmaking with a sculptural American-made frame.\u003c\/p\u003e\n\u003cp\u003eUSA, 1963\u003cbr\u003eHand-hammered aluminum, Venini wheel-carved glass\u003cbr\u003e32\" H, 64\" Dia.\u003cbr\u003e(81 cm H, 163 cm Dia)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr\u003ePetroleum Club of Houston; Private Collection\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGeorge Pierce\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWilliam Parker McFadden\u003c\/span\u003e\u003c\/span\u003e collaborated on a series of bespoke interior elements for the Petroleum Club of Houston during the early 1960s, a project emblematic of mid-century American corporate modernism. Their work for the club incorporated custom lighting and architectural features that emphasized scale, material innovation, and craftsmanship. The inclusion of glass elements by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVenini\u003c\/span\u003e\u003c\/span\u003e—one of Murano’s most esteemed glassmakers—underscores the international scope of the project, bringing together American design with Italian artisanal expertise. Pieces from this commission remain rare, with few examples leaving their original architectural context.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48347979481188,"sku":"LA32626-HoustonChandelier","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/ChandelierfromthePetroleumClubofHouston.png?v=1777567577"},{"product_id":"desk-model-s-a-d-henri-lesetre","title":"Desk, model 'S.A.D'","description":"\u003cp data-start=\"0\" data-end=\"615\"\u003eLesêtre’s ‘S.A.D.’ desk was exhibited in 1969 at the Salon de la Société des Artistes Décorateurs at the Grand Palais in Paris, as documented in the exhibition catalogue Espace et lumière. His work reflects the period’s emphasis on material contrast, structural innovation, and the integration of design within a broader cultural and institutional framework.\u003c\/p\u003e\n\u003cp data-start=\"617\" data-end=\"833\"\u003e1969\u003cbr data-start=\"648\" data-end=\"651\"\u003eEdited by Dassas with the Atelier de Recherche et de Création du Mobilier National\u003cbr data-start=\"733\" data-end=\"736\" data-is-only-node=\"\"\u003eMacassar ebony, lacquered wood, aluminum\u003cbr data-start=\"776\" data-end=\"779\"\u003e28\" H, 78.3\" L, 35.4\" W (71 cm H, 199 cm L, 90 cm W)\u003c\/p\u003e\n\u003cp data-start=\"835\" data-end=\"1710\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"835\" data-end=\"855\"\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr data-start=\"855\" data-end=\"858\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenri Lesêtre\u003c\/span\u003e\u003c\/span\u003e was active in France during the mid-20th century, with work presented in the context of institutional design initiatives such as the Atelier de Recherche et de Création (ARC) of the Mobilier National. Founded in 1964 under the direction of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAndré Malraux\u003c\/span\u003e\u003c\/span\u003e, the ARC was established to support contemporary designers through state-sponsored research and production, fostering experimental approaches to furniture and interior design. \u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48348060778596,"sku":"PIA33126-Orangelesetredesk","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/Desk_model_S.A.D_-HenriLesetre.png?v=1777572613"},{"product_id":"salvaged-19th-century-american-mosaic-christ-mural","title":"Salvaged Christ Mosaic Mural","description":"\u003cp data-end=\"698\" data-start=\"0\"\u003eMonumental and richly detailed, this mid-19th century mosaic mural depicts a crowned Christ figure composed of thousands of individually placed, hand-cut tiles. Salvaged from a church in the American Midwest, the work retains its original presence, with gold leaf smalti spanning the upper portion of the composition and an open Bible inscribed with the verse, “I AM THE WAY, THE TRUTH, AND THE LIFE.” The surface is alive with intricate detail and saturated color, reflecting the craftsmanship and scale of its original ecclesiastical setting. Preserved on its original concrete backing after being removed from the church wall, the piece carries both historical weight and striking visual impact.\u003c\/p\u003e\n\u003cp data-end=\"884\" data-start=\"700\"\u003eMid-19th century\u003cbr data-end=\"719\" data-start=\"716\"\u003eUnited States\u003cbr data-is-only-node=\"\" data-end=\"735\" data-start=\"732\"\u003eHand-cut glass mosaic tiles, gold leaf smalti, cement; mounted on original concrete backing\u003cbr data-end=\"829\" data-start=\"826\"\u003e77\" H, 65\" W, 1\" D (195.6 cm H, 165.1 cm W, 2.5 cm D)\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48348508061796,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/5_e98a9fb5-df7d-4810-a77e-dfe987c73f19.png?v=1777578362"},{"product_id":"goose-fright-revisited-lamps-are-low-in-our-home-tonight-donald-roller-wilson","title":"Goose Fright Revisited: Lamps are Low in our Home Tonight","description":"\u003cp\u003eVivid and surreal, Goose Fright Revisited by Donald Roller Wilson draws the viewer into a meticulously constructed interior where logic gives way to dreamlike tension. Wilson’s precise technique heightens the uncanny quality of the scene, where scale, perspective, and subject blur into something both familiar and disorienting.\u003c\/p\u003e\n\u003cp\u003e1970\u003cbr\u003eOil on canvas\u003cbr\u003e48\" H, 60\" W (121.9 cm H, 152.4 cm W)\u003cbr\u003eFramed: 57.5\" H, 69.5\" W (146.1 cm H, 176.5 cm W)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr\u003eDonald Roller Wilson (b. 1938) is an American painter known for his highly detailed, surreal compositions that blend elements of still life, narrative imagery, and psychological tension. Born in Texas, Wilson developed a distinctive visual language characterized by precise draftsmanship and carefully staged environments that often feel suspended between reality and dream. His work has been exhibited widely and is held in numerous collections, recognized for its singular ability to merge technical control with imaginative, often enigmatic subject matter.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48349379231844,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/6_c85f02c4-5359-42a6-86a4-756f341ac10e.png?v=1777583694"},{"product_id":"model-590-table-lamp-gino-sarfatti-for-arteluce","title":"Model 590 Table Lamp","description":"\u003cdiv data-turn-id-container=\"dd712950-1f76-4af1-b28c-e0d420db305a\" data-is-intersecting=\"true\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69f36150-90f4-83ea-b344-f7a3df52097f-0\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"69d8631f-9950-44af-bca2-8b567e071f28\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-end=\"377\" data-start=\"0\"\u003eA luminous table lamp by Gino Sarfatti for Arteluce, model 590, characterized by its domed shade and suspended glass fringe. The shade is formed in cased (incamiciato) glass, paired with a structure of painted aluminum and brass elements. Beneath the dome, a series of colored glass rods create a diffused and layered light effect. Documented in \u003cem data-end=\"376\" data-start=\"337\"\u003eGino Sarfatti: opere scelte 1938–1973\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-end=\"503\" data-start=\"379\"\u003e1962\u003cbr data-end=\"392\" data-start=\"389\"\u003eBrass, painted aluminum, cased glass, colored glass\u003cbr data-is-only-node=\"\" data-end=\"446\" data-start=\"443\"\u003e17.3\" H × 15.7\" W × 15.7\" D\u003cbr\u003e(44 cm H × 40 cm W × 40 cm D)\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"976\" data-start=\"505\"\u003e\u003cstrong data-end=\"525\" data-start=\"505\"\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr data-end=\"528\" data-start=\"525\"\u003eGino Sarfatti (1912–1985) was an Italian designer and founder of Arteluce, established in Milan in 1939. Over the course of his career, he designed more than 400 lighting fixtures, many of which explored new approaches to materials, construction, and illumination. Arteluce became an important platform for modern lighting design in Italy, and Sarfatti’s work is included in major museum collections, including the Museum of Modern Art in New York.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48353565180004,"sku":"WAN42326-Model 590TableLamp-Gino Sarfatti","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/2_8f9cf3cd-0697-4c49-8bfb-62f3a93661cb.png?v=1777659638"},{"product_id":"adjustable-leather-l77-daybed-chaise-for-tecno-osvaldo-borsani","title":"Adjustable Leather L77 Daybed Chaise for Tecno","description":"\u003cp data-start=\"113\" data-end=\"554\"\u003eThe L77 adjustable daybed by Osvaldo Borsani for Tecno is defined by its articulated structure and mechanical precision. Developed in the 1950s, the model features a fully adjustable backrest and support system, allowing the form to shift between seating and reclining positions. Upholstered in tufted leather and set on a metal frame, the design reflects Borsani’s focus on adaptability and engineered form within postwar Italian furniture.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"688\"\u003e1950s\u003cbr data-start=\"567\" data-end=\"570\"\u003eMetal, leather, fabric\u003cbr data-start=\"592\" data-end=\"595\"\u003e75\" W, 27.5\" D, 26.5\" H, 17\" Seat H\u003cbr data-start=\"630\" data-end=\"633\"\u003e(190.5 cm W x 69.85 cm D x 67.31 cm H, 43.18 cm Seat H)\u003c\/p\u003e\n\u003cp data-start=\"690\" data-end=\"1228\"\u003e\u003cstrong data-start=\"690\" data-end=\"710\"\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr data-start=\"710\" data-end=\"713\"\u003eOsvaldo Borsani (1911–1985) was an Italian architect and designer and co-founder of Tecno, established in Milan in 1953. Tecno became known for its technically advanced and modular furniture, developed through a close integration of design and engineering. Borsani’s work frequently incorporated adjustable and transformable elements, reflecting a broader postwar interest in flexibility and modern living. His designs remain central to the history of Italian modernism and are included in major museum collections.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48353574781028,"sku":"HAB-BorsaniDaybed","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/3_4282bb62-2f91-48d8-a522-0088613e88d9.png?v=1777660897"},{"product_id":"intrusion-ronnie-wells","title":"Intrusion","description":"\u003cp\u003eA painted bronze sculpture by Ronnie Wells, titled \u003cem\u003eIntrusion\u003c\/em\u003e, depicting two wood ducks in motion above a naturalistic base with red-eared turtles. The composition captures a moment of tension and movement, rendered with detailed surface work and lifelike coloration. Mounted on a shaped wooden base.\u003cbr\u003e\u003cbr\u003e1988\u003cbr\u003ePainted bronze, wood\u003cbr\u003e29.5\" H × 32\" W × 24\" D\u003cbr\u003e(74.93 cm H × 81.28 cm W × 60.96 cm D)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr\u003eRonnie Wells (American, b. 1944) is a renowned Texas-based painter and sculptor known for his detailed wildlife compositions. His background as a former medical illustrator gave him a deep knowledge of anatomy, proportion, and form which became the foundation of a broader artistic practice that would evolve over decades. Wells has won numerous awards and exhibited his work in museums and fine art shows across the nation. Mr. Wells is also a published author. Wells’ sculptures are typically produced in limited editions and are signed, titled, numbered, and dated by the artist. \u003cbr\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48354981838948,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/3_1fe93cf8-ec47-419c-b9b8-979dbf7afe7f.png?v=1777738233"},{"product_id":"untitled-john-alexander-1","title":"The Hideaway","description":"\u003cp\u003eThe Hideaway by John Alexander is a large scale original oil painting on canvas from his era of national expansion following his move to New York City in 1979. Rich greens, yellows, and reds form a lush scene punctuated with a bright yellow bird near the center. Numbered \u003cmeta charset=\"utf-8\"\u003e“0626.9.87” and signed on the verso.\u003c\/p\u003e\n\u003cp\u003e1987\u003cbr\u003eOil on canvas, framed in wood.\u003cbr\u003e77\" x 82\"\u003cbr\u003e(195.58 cm × 208.28 cm)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr\u003eJohn Alexander (born October 26, 1945) has made an international career as a skilled painter and satirical storyteller. Alexander began seriously studying art at Lamar University in his hometown of Beaumont, and his work is influenced by his affection for the southern landscape. Alexander has been widely exhibited, with major shows at the Smithsonian American Art Museum in Washington, D.C., and the Museum of Fine Arts, Houston. His work can be found in public collections at the Metropolitan Museum of Art; Hirshhorn Museum and Sculpture Garden; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago; Meadows Museum, Dallas; Dallas Museum of Art; Museum of Fine Arts, Houston; and many others.\u003cbr\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48365693010020,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/TheHideaway-2_daba64a1-7005-436f-b00a-32598b1cac27.jpg?v=1782224566"},{"product_id":"coffee-table-jose-zanine-caldas","title":"Carved Pequi Wood Coffee Table","description":"\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-5\" data-turn-id=\"d4e1419f-92c8-469f-ac8e-9c1396296b6f\" dir=\"auto\"\u003e\u003c\/section\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-6\" data-turn-id=\"request-WEB:8fab1fbd-2453-4608-87b3-20154e24c35c-2\" dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"dc592b65-fac8-4231-8861-f74a8b9aa2cf\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-19\" data-turn-id=\"e8f51a16-a5f4-4bd3-928e-5006c96bac95\" dir=\"auto\"\u003e\u003c\/section\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-20\" data-turn-id=\"request-WEB:8fab1fbd-2453-4608-87b3-20154e24c35c-9\" dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"d7feb3f9-ebed-4886-8526-1f246906c4ae\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp data-start=\"43\" data-end=\"502\"\u003eA carved pequi wood coffee table by José Zanine Caldas, made in Brazil circa 1975. The table is formed from a substantial section of wood, with an irregular rounded top and three integrated block legs. Its visible grain, natural surface variation and heavy, hand-worked construction align with Caldas’ later furniture practice, particularly his move toward sculptural pieces carved from large pieces of timber. The table is branded to the side “Caldas Filho.”\u003c\/p\u003e\n\u003cp data-start=\"504\" data-end=\"591\"\u003e1975\u003cbr data-start=\"522\" data-end=\"525\"\u003ePequi wood\u003cbr data-start=\"535\" data-end=\"538\"\u003e16.5\" H × 42\" W × 36\" D\u003cbr data-start=\"561\" data-end=\"564\"\u003e(42cm H × 107cm W × 91cm D)\u003c\/p\u003e\n\u003cp data-start=\"593\" data-end=\"1394\"\u003e\u003cstrong\u003eAbout the Maker\u003c\/strong\u003e\u003cbr data-start=\"612\" data-end=\"615\"\u003eJosé Zanine Caldas was a Brazilian designer, architect and model maker born in Belmonte, Bahia, in 1919. Self-taught, he first became known for architectural models and worked with major Brazilian modernists including Oscar Niemeyer and Lúcio Costa. In 1949, he founded Móveis Artísticos Z in São Paulo, an important early producer of modern plywood furniture in Brazil. By the late 1960s, after returning to Bahia, Caldas began making what he called “móveis-denúncia,” or “outcry furniture”: hand-carved works made from large pieces of timber, often tied to his concern for forests, craft and Brazil’s material culture. His work is recognized for joining modern design with traditional woodworking and a strong environmental conscience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48429683736676,"sku":"LA32626-CaldesCoffeeTable","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/10_6a6fdee2-ce2b-44c1-8a63-43b42d7dd690.png?v=1779139175"},{"product_id":"self-portrait-in-a-quagmire-julie-heffernan","title":"Self-Portrait in a Quagmire","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOil on canvas by Julie Heffernan (American, born 1956), titled Self-Portrait in a Quagmire. The work shows Heffernan’s recurring self-portrait figure placed within a dense, theatrical landscape of flowers, animals, architecture and natural overgrowth.\u003cbr\u003e\u003cbr\u003e2000–2003\u003cbr\u003eOil on canvas\u003cbr\u003e70.5\" H × 68\" W\u003cbr\u003e(179.1cm H × 172.7cm W)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003cbr\u003e\u003c\/strong\u003eJulie Heffernan is an American painter known for large-scale, highly detailed self-portraits that combine figure painting, landscape, allegory and art-historical references. Born in 1956, she received her BFA from the University of California, Santa Cruz, and her MFA from the Yale School of Art. Her work uses the technical language of historical European painting to address contemporary ideas of identity, environment, memory and social anxiety. Her artwork has been described by the writer Rebecca Solnit as \"a new kind of history painting\" and by The New Yorker as \"ironic rococo surrealism with a social-satirical twist.\"\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48440397365348,"sku":"FRE51326-JulieHeffernan","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/944d43a4-243f-4271-96f9-de121d2c4163.webp?v=1779309715"},{"product_id":"set-of-6-model-6086-armchairs-osvaldo-borsani","title":"Set of 6 Model 6086 Armchairs","description":"\u003cp\u003eA set of six armchairs by Osvaldo Borsani, created circa 1942–1944 and edited by Arredamenti Borsani Varedo. Made in wood with upholstered fabric seats, the chairs have slender tapered legs and open backs formed by vertical spindles beneath softly curved top rails. The set reflects Borsani’s early command of refined Italian craftsmanship before his postwar work with Tecno, balancing decorative warmth with the architectural clarity that would become central to his career.\u003cbr\u003e\u003cbr\u003e1942–1944\u003cbr\u003eWood and fabric\u003cbr\u003eEdited by Arredamenti Borsani Varedo\u003cbr\u003eSet of 6\u003cbr\u003e36.2\" H × 19.7\" W × 19.7\" D\u003cbr\u003e(92 cm H × 50 cm W × 50 cm D)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiterature\u003c\/strong\u003e\u003cbr\u003eG. Bosoni, Osvaldo Borsani: Architect, Designer, Entrepreneur, Skira, Milan, 2018, p. 268\u003cbr\u003eN. Foster, T. Fantoni, G. Bosoni, Osvaldo Borsani, exhibition catalogue, Triennale Milano, Skira, Milan, 2018, p. 53\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker\u003cbr\u003e\u003c\/strong\u003eOsvaldo Borsani (1911–1985) was an Italian architect, designer and entrepreneur, and one of the important figures in the rise of modern Italian design. Born in Varedo into a family of furniture makers, he studied fine arts at the Brera Academy and architecture at the Politecnico di Milano, graduating in 1936. Borsani’s career moved between hand craftsmanship, architecture and industrial design. His early work with Arredamenti Borsani Varedo shows the refined, custom-made side of Italian furniture before the postwar design boom. In 1953, he co-founded Tecno with his brother Fulgenzio, a company that became central to Italian modern design.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48479558467684,"sku":"PIA121625-BorsaniChairs","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/Setof6Model6086Armchairs-OsvaldoBorsani_1.png?v=1779988910"},{"product_id":"pair-of-kwok-hoi-chan-limande-lounge-chairs-for-steiner","title":"'Limande' Lounge Chairs for Steiner","description":"\u003cp data-start=\"73\" data-end=\"99\"\u003eA pair of “Limande” lounge chairs designed by Kwok Hoï Chan for Steiner. Created in 1969, the model has a chrome-plated metal frame and mohair upholstery by Pierre Frey. This pair is from the Steiner edition, connecting the work to one of France’s important modern furniture manufacturers of the postwar period.\u003cbr\u003e\u003cbr\u003e1969\u003cbr\u003eChrome-plated metal and Pierre Frey mohair\u003cbr\u003eSteiner edition\u003cbr\u003e25.2\" H × 31.5\" W × 29.1\" D\u003cbr\u003e(64cm H × 80cm W × 74cm D)\u003c\/p\u003e\n\u003cp data-start=\"622\" data-end=\"1245\"\u003e\u003cstrong data-start=\"622\" data-end=\"641\"\u003eAbout the Maker\u003cbr\u003e\u003c\/strong\u003eKwok Hoï Chan (1939–1987) was a Chinese architect and interior designer. He studied architecture in Hong Kong before working internationally across interiors and furniture design. His early projects included furniture for Air India and the IBM offices in Hong Kong; from 1966 to 1968, he worked in London and contributed to the interiors of Cunard’s ocean liner Queen Elizabeth II. He later designed for Spectrum in the Netherlands before moving to Paris, where his furniture was produced by the French manufacturer Steiner. His known designs include the Zen chair, the Alligator lounge chair, the Chromatic range and seating produced by Steiner.\u003cbr\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48489008431204,"sku":"PIA21826-LimandeChairs","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/14_cb81cd85-3c8a-41b2-a4c5-e8772415e862.png?v=1780077792"},{"product_id":"blende-thomas-scheibitz","title":"Blende","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThomas Scheibitz’s Blende is a large-scale oil on canvas from 1997. The work is signed, dated, and titled on the reverse: “Scheibitz \/ 1997 \/ ‘Blende.’” It was exhibited the same year it was made in Thomas Scheibitz – DIGITALIN at Galerie Gebr. Lehmann in Dresden and was illustrated in the accompanying 1997 publication.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1997\u003cbr\u003eOil on canvas\u003cbr\u003eSigned, dated, and titled on the reverse\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e77\" H × 59\" W\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(195.6 cm H × 149.9 cm W)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Maker:\u003cbr\u003e\u003c\/strong\u003eThomas Scheibitz is a German painter and sculptor born in Radeberg, Germany, in 1968. He studied at the Dresden Academy of Fine Arts from 1991 to 1998 and received his MFA under Professor Ralf Kerbach in 1998. He is based in Berlin. Scheibitz is recognized for work that moves between figuration and abstraction. Sprüth Magers describes him as “among the most important German painters and sculptors of his generation,” noting that since the early 1990s he has developed a conceptual approach to painting and sculpture shaped by art-historical references and a sustained interest in the relationship between recognizable forms and abstraction. In 2005, Scheibitz represented Germany at the 51st Venice Biennale alongside Tino Sehgal, a major international platform for contemporary art. His work is held in public collections including the Albright-Knox Art Gallery, the Carnegie Museum of Art, the Denver Art Museum, and the Centre d’Art Contemporain in Geneva.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48498536022116,"sku":"HA05726-Blende","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/Blende-ThomasScheibitz_1.png?v=1780324413"},{"product_id":"the-moon-in-the-earth-ii-dorothy-hood","title":"The Moon in the Earth II","description":"\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-69f36150-90f4-83ea-b344-f7a3df52097f-1\" dir=\"auto\"\u003e\n\u003cdiv data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"75cb6e40-0c3c-446a-81d2-a1dc15658c4e\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cp data-end=\"728\" data-start=\"0\"\u003eDorothy Hood’s The Moon in the Earth II is a commanding circa 1975 abstraction, unfolding in deep blue, black, and rose-toned passages. Expansive and atmospheric, the work reflects Hood’s mature exploration of scale, color, and the charged space between earthly landscape and cosmic imagination.\u003c\/p\u003e\n\u003cp\u003e1975\u003cbr\u003eOil on canvas\u003cbr\u003eSigned upper right, “D. Hood”\u003cbr\u003eSigned and titled on the stretcher, “D. Hood — The Moon in the Earth II”\u003c\/p\u003e\n\u003cp\u003e70\" H × 60\" W\u003cbr\u003e(177.8 cm H × 152.4 cm W)\u003c\/p\u003e\n\u003cp\u003eFramed: 70.75\" H × 60.75\" W\u003cbr\u003e(179.7 cm H × 154.3 cm W)\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1630\" data-start=\"824\"\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cbr data-end=\"847\" data-start=\"844\"\u003e\u003c\/p\u003e\n\u003cp\u003eDorothy Hood (1918–2000) was an American painter born in Bryan, Texas, and raised in Houston. She studied at the Rhode Island School of Design and the Art Students League in New York before moving to Mexico in 1941, where she remained for two decades and became part of a major artistic and intellectual circle. The Moody Center for the Arts at Rice University describes Hood as “a pioneering figure in Mexican and American Modernist painting,” noting that Pablo Neruda introduced her to José Clemente Orozco, who became her mentor and gave her her first studio. After returning to Houston, Hood became an important figure in the Texas art world while developing the large-scale abstractions for which she is now best known. Public Art of the University of Houston notes that her canvases and works on paper often referenced physical and mental landscapes, as well as “the connections between inner and outer worlds.” Her work is held in major collections, including the Museum of Fine Arts, Houston, and the Menil Collection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48499213860964,"sku":"SIM51626-DorothyHoodMoon","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/33.png?v=1780348382"},{"product_id":"911-gt2-rs","title":"Porsche 911 GT2 RS","description":"\u003cp\u003eThe most powerful road-legal 911 produced at the time of its debut, the GT2 RS pairs uncompromising performance with the unmistakable form of the 911. Its twin-turbocharged flat-six produces 700 horsepower, delivered exclusively to the rear wheels through a seven-speed PDK transmission. Purposeful aerodynamics, lightweight construction and a motorsport-derived chassis place it among the most formidable Porsche road cars of its generation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Porsche\u003cbr\u003e\u003cstrong\u003eModel:\u003c\/strong\u003e 911 GT2 RS\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2018\u003cbr\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48519840890980,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/COM-01-08-25-AUTODEN-DALLAS-019.jpg?v=1780597957"},{"product_id":"harley-davidson-16c","title":"Harley-Davidson 16C","description":"\u003cp\u003eThe 1916 Harley-Davidson Model 16-C combined a five-horsepower, 35-cubic-inch single-cylinder engine with a three-speed, hand-shifted transmission. It featured a kickstarter, floorboards and a newly rounded fuel tank. Harley-Davidson sold 862 Model C singles in 1916, compared with more than 15,000 V-twins.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Harley-Davidson\u003cbr\u003e\u003cstrong\u003eModel:\u003c\/strong\u003e Model 16-C\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1916\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48519918878820,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/1916HD.png?v=1780600748"},{"product_id":"rare-italian-late-gothic-painted-cassone","title":"Rare Painted Cassone","description":"\u003cp\u003eAn exceptional Italian Late Gothic painted cassone, or marriage chest, dating from the late 15th to early 16th century. The hand-painted front depicts a pair of mythological sea maidens supporting overflowing baskets of fruit amid scrolling foliate ornament and geometric borders, while its original forged iron lock and richly worn painted surface reflect more than five centuries of history.\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e1480–1530\u003cbr\u003eHand-painted wood, forged iron\u003cbr\u003e28.5\" H × 46\" W × 24\" D\u003cbr\u003e(72.39 cm H × 116.84 cm W × 60.96 cm D)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAbout the Cassone:\u003cbr\u003e\u003c\/strong\u003eThe cassone was among the most important pieces of furniture in Renaissance Italy. Traditionally commissioned to celebrate a marriage, these elaborately decorated chests formed part of a bride's dowry and were displayed prominently within the home. Wealthy families often commissioned painted cassoni depicting classical mythology, biblical narratives, allegorical figures, or symbols of prosperity and fertility, reflecting both artistic taste and family status. Today, surviving examples are increasingly scarce, particularly those retaining significant portions of their original painted surfaces and early iron hardware.\u003cbr\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48734318919780,"sku":"BLA120225-Cassone","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/2_d88ba6ca-ae64-49bd-9445-305bb6e46ef6.png?v=1783720756"},{"product_id":"suora-floor-lamp","title":"Suora Floor Lamp","description":"\u003cdiv data-turn-id-container=\"dd712950-1f76-4af1-b28c-e0d420db305a\" data-is-intersecting=\"true\"\u003eA Suora floor lamp designed by Carlo Mollino in 1947 and first put into production in 1994. The lamp features a large parchment diffuser stitched over a brass frame, supported by a burnished brass stem with two adjustable joints. The marble base rests on concealed spheres, allowing the lamp to be repositioned easily. Its adjustable construction changes the overall height and depth.\u003c\/div\u003e\n\u003cdiv data-turn-id-container=\"request-WEB:d28e2a5c-819b-40f7-9e8f-bf6a34362dbd-6\" data-is-intersecting=\"true\"\u003e\n\u003csection dir=\"auto\" data-turn-id=\"request-WEB:d28e2a5c-819b-40f7-9e8f-bf6a34362dbd-6\" data-testid=\"conversation-turn-10\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2f14f236-37b9-450f-aaef-6d5f0fccc2dc\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cp data-start=\"321\" data-end=\"379\"\u003e\u003cbr\u003eDesigned 1947, 1994 edition\u003cbr\u003eParchment, brass and marble\u003cbr\u003e44.9 W × 42.9 D × 74.8 H in. (114 W × 109 D × 190 H cm)\u003cbr\u003eNote: Height and depth vary according to the lamp’s positioning.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eAbout the Maker:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003eCarlo Mollino (Italian, 1905–1973) was an architect, designer, photographer and writer known for his highly individual approach to modern Italian design. His limited body of furniture and lighting combined technical experimentation, craftsmanship and expressive form, making his work among the most distinctive and sought-after designs of the 20th century.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48737730494564,"sku":"FMSuoraFloorLamp","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/5_c936522c-696d-4649-8c61-4d58ac7b29a6.png?v=1783943296"},{"product_id":"septem-maria-seven-seas","title":"Septem Maria (Seven Seas)","description":"\u003cp data-end=\"554\" data-start=\"113\"\u003eAn exceptional seven-piece furniture suite by Johnny Swing composed of nesting forms made from welded coins and stainless steel. Inspired by marine life, each component can stand independently or be arranged with the others as a larger installation. The complete suite was produced in an edition of eight with two artist’s proofs.\u003c\/p\u003e\n\u003cp data-end=\"688\" data-start=\"556\"\u003e2020\u003cbr\u003eCoins and stainless steel\u003cbr\u003eEdition: 8 + 2 artist’s proofs\u003cbr\u003eOverall dimensions: 108 W × 72 D × 25 H in. (274.3 W × 182.9 D × 63.5 H cm)\u003c\/p\u003e\n\u003cp data-end=\"1228\" data-start=\"690\"\u003e\u003cstrong\u003eAbout the Maker:\u003c\/strong\u003e\u003cstrong data-end=\"710\" data-start=\"690\"\u003e\u003cbr\u003e\u003c\/strong\u003eJohnny Swing (American, b. 1961) is an artist and designer associated with the American Studio Furniture movement, best known for transforming thousands of welded coins into functional sculpture. A licensed Class 1 structural steel welder, Swing develops each work through hand-carved prototypes, molded forms and engineered steel frameworks before welding the coin surface entirely by hand. His work is held in the permanent collections of Storm King Art Center, Chatsworth House and the Modernism Museum and has been exhibited at the Museum of Arts and Design, the Indianapolis Museum of Art and LongHouse Reserve.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":48744966062180,"sku":"JS0626-SeptemMaria","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/2_c72337ac-ed82-4e4c-987f-d7c1e1443880.png?v=1783944342"},{"product_id":"vintage-neon-diver-sign","title":"Vintage Neon Diver Sign","description":"\u003cp\u003eSalvaged vintage diving woman sign acquired from Worldwide Productions.\u003cbr\u003e\u003cbr\u003eSteel, neon, paint\u003cbr\u003e11' long, 4' tall at tallest point.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":49190553878628,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/2.jpg?v=1788888244"},{"product_id":"9-spoonbill-lane","title":"9 Spoonbill Lane","description":"\u003cp\u003eContact (361) 463-7037 for more information.\u003c\/p\u003e\n\u003cp\u003eProperty listed with \u003ca href=\"https:\/\/www.wellscollection.com\/\"\u003eWells Collection\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e9,583 Square Feet Lot\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":49231596028004,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/SPOONBILL.png?v=1789084235"},{"product_id":"large-acreage-lakeside-property","title":"Large Acreage Lakeside Property","description":"\u003cp\u003eOne-of-a-kind property.\u003cbr\u003e44 acres on Stillhouse Hollow Lake in a luxury gated community.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/tresecco.com\/pages\/contact\"\u003eContact us\u003c\/a\u003e for more information.\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":49235423559780,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/SALADO.png?v=1789138474"},{"product_id":"queen-isabella-of-aragon","title":"Queen Isabella of Castile","description":"\u003cp\u003eThis exceptionally rare processional statue from 18th century Spain has a delicately modeled face with a slightly open mouth revealing finely rendered teeth. Its solid torso contains an underlying cage-form structure and articulated shoulders, elbows and wrists, allowing the figure to be posed and dressed. The polychromed face has been stabilized.\u003c\/p\u003e\n\u003cp\u003ePolychromed wood, glass eyes, mercury-glass earrings, original waistcoat with later velvet, cotton and Chinese export embroidered-silk additions, 36\" H, 24”W\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.architecturaldigest.com\/gallery\/dbd-082010\"\u003e\u003cstrong\u003eFeatured in Architectural Digest, “Discoveries by Designers,” August 2010.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":49242836598884,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/1_5f8f9292-f3ff-4ae3-8e81-80991313cbcf.png?v=1789225864"},{"product_id":"4001-turtle-creek","title":"4001 Turtle Creek","description":"\u003cp\u003e5 year restoration in progress.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.dmagazine.com\/publications\/d-home\/2016\/november-december\/perfect-10\/\"\u003eFeatured in D Magazine's \"The 10 Most Beautiful Homes in Dallas 2016\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tresecco.com\/pages\/contact\"\u003eContact us for more information.\u003c\/a\u003e\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":49268993097828,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/4001TurtleCreek-1200x800_1_ed4881e5-21ff-4910-ba87-654859d5e52b.jpg?v=1789592030"},{"product_id":"willie-nelsons-tour-bus","title":"Florida Coach \/ Prevost","description":"\u003cp\u003eWillie Nelson’s tour bus, which he shared with his sister, Bobbie, for nearly a decade. The bus has appeared on The Tonight Show Starring Jimmy Fallon and in Season 3, Episode 2 of Extreme RVs.\u003c\/p\u003e\n\u003cp\u003eThe interior includes custom hand-carved woodwork, an illuminated display for a Winchester rifle and a designated secure compartment for Nelson’s famous guitar, “Trigger.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Prevost\u003cbr\u003e\u003cstrong\u003eModel:\u003c\/strong\u003e X3\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2014\u003c\/p\u003e","brand":"Tresecco","offers":[{"title":"Default Title","offer_id":49269243510884,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/files\/bus.png?v=1789655643"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/0080\/8292\/collections\/testing.jpg?v=1788453634","url":"https:\/\/tresecco.com\/collections\/public-all-products.oembed?page=2","provider":"Tresecco","version":"1.0","type":"link"}